Then again, it helps if you’re
recording one of the greatest bands of all time, whose peerless playing,
brilliant arrangements, and internal dynamics should have made it hard
for anyone to make them sound bad. This is the famous ‘Blanton-Webster
Band’, named after two of its biggest stars, tenor sax legend Ben
Webster and Jimmy Blanton, who can be heard here revolutionising the art
of bass playing, and who, a year and a half later, would die of
tuberculosis at the age of just 23. The Fargo show was also the debut of
another distinguished Ellingtonian, Ray Nance, just hired to replace
the irreplaceable Cootie Williams (one of Ellington’s many strokes of
genius was that every time he lost someone irreplaceable, he replaced
them with someone just as interesting but in a completely different
way).
Thursday, 15 January 2015
Duke Ellington - Legendary Concert
Among other things, this classic album is (especially in its Special 60th Anniversary Edition
boxed set) a historical document: the first time a whole show by a
major jazz group was recorded live. And it only happened because two
young audio geeks in the middle of nowhere owned a portable disc-cutting
machine they wanted to try out. The Duke himself gave his permission -
though he didn’t really understand why they were bothering, if you can
believe that - and the show was
recorded direct to 16-inch discs, at 33 1/3 rpm, using just three
microphones. Some songs are missing their beginnings or endings as our
intrepid heroes scramble to load new discs onto the machine, but, even
allowing for several hi-tech restorations and remasterings, the
recording quality is astonishingly good.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment